Category: 300 News | Posted by: DaisyMay
Article Date: March 4, 2007 | Publication: Brothers Judd Blog | Author: Orrin Judd
Giving '300' movie a comic-book grandeur: Director Zack Snyder mixes tricks to create a comic-book grandeur for '300' on the screen
A pack of tourists and a museum docent fanned out in front of "Leonidas at Thermopylae" in the Louvre a few months ago. Spotting Jacques-Louis David's 1814 oil painting of a buff, naked warrior king preparing to lead 300 Spartan troops into battle, a cheerful young American said: "Awesome. I just made a movie of this."
"Really?" said the docent. "... what does it look like?"
The young man shrugged and smiled. "It basically looks like this."
"Well, those men are all naked," the docent said after a long pause.
"Yeah," the man replied. "That's kind of what the Spartans were all about."
Zack Snyder is something of an expert after spending years creating his own audaciously loud, fast-paced cinematic painting of the Spartans' tale, "300," a $60-million live-action adaptation of Frank Miller and Lynn Varley's 1999 graphic novel.
Snyder has visualized thousands of permutations of the overmatched Greek force that held off hoards of advancing Persians in 480 BC, fighting to the death for their freedom and inspiring the resistance of their countrymen. And for "300," he's developed an inventive visual vocabulary, shooting on film and using a bevy of fancy camera, lighting and sonic tricks drawn from his work in commercials to bring his actors, filmed against neutral bluescreen, to bold life in a moody CGI world.