Review: 'Nim's Island'
Category: Nim's Island Reviews | Posted by: admin
Article Date: April 4, 2008 | Publication: Los Angeles Times | Author: Tasha Robinson
Publication/Article Link:Los Angeles Times
The film hits its stride in fantasy, but its reality scenes trip over obvious dialogue.
Over the last five years, Walden Media has become a reliable purveyor of big, bright family fantasies such as "The Chronicles of Narnia: The Lion, the Witch and the Wardrobe," "Bridge to Terabithia" and "Charlotte's Web." But there have been missteps along the way ("Mr. Magorium's Wonder Emporium," "The Seeker: The Dark Is Rising").
Walden's latest, "Nim's Island," veers perilously close to the negative side of the tally sheet. The premise, from the book by Wendy Orr, is terrific, but the execution seems designed to make all but the youngest viewers fling copies of the book at the screen in frustration.
"Little Miss Sunshine" child star Abigail Breslin stars as Nim, a smart, independent 11-year-old who lives with her microbiologist dad, Jack ("300" star Gerard Butler) on an uncharted South Pacific island. As she explains in an interminable opening monologue, she has a life most kids would envy: no school, a bevy of tame animal friends and a whole island to herself.
Then Jack is caught in a storm and lost at sea. For help, Nim turns to her favorite author, Alex Rover, an Indiana Jones type whose books about his rough-and-tumble adventures are international bestsellers. But Nim is unaware that the real Alex is Alexandra Rover, an agoraphobic, fussy San Francisco fiction writer played by Jodie Foster. Nim's e-mail pleas for rescue set off a crisis for Alexandra -- she can't make it to the end of her own sidewalk to pick up her mail, yet she feels obligated to travel around the world to help.
It's a fun story, particularly in its playful, creative sense of the relationship between fiction and reality. When Nim reads the latest Alex Rover book, her room falls away, and he fights his fiendish enemies next to her bed. As Alexandra fights her fears, her inner Alex Rover -- also played by Butler -- hangs around, mocking and urging her on by reminding her of the exploits she's invented for him and how she has failed to live up to them.
But clunky, overwrought performances make the film's "real world" less compelling than its fantasy side. It's painful to see an actor of Foster's caliber flailing, bellowing and performing clumsy Rob Schneider pratfalls. And Butler outdoes her; his silly Crocodile Dundee act as the outsized, fictional Alex makes some sense, but as Jack, he froths and chews at the scenery even more outrageously, even when that scenery is only a tiny boat and a distant horizon.
A bigger obstacle comes from the stumbling four-writer script. Repetitive product placement is an ongoing distraction, but more problematically, the characters narrate themselves, describing their intentions and feelings as if viewers can't be trusted to grasp that Nim is crying because she's sad or that Jack is trying to fix his storm-smashed boat so he can go home to her.
All the explanations put brakes on what should be a fleet, exciting story.
For all its limitations, the film still looks terrific. Flawless CGI and forays into animation keep things visually lively, and Nim's enviable life is likely to hook kids into the story early and keep them entranced.
There's a lot to like about spunky Breslin, even when she's unnecessarily recapping events. She's a charismatic, energetic presence at the heart of the film, much as she was in "Little Miss Sunshine." But mostly, Nim's island is presented as a lush fantasy wonderland, shot in gorgeous, loving detail, from the top of its threatening volcano to the bottom of its teeming ocean.
The film touches on the important differences between fantasy and reality, but it's most appealing in its colorful fantasy elements. And true to the Walden pattern, it envisions a place kids will want to return to in their own adventure stories, long after this imperfect one is over.
"Nim's Island." MPAA rating: PG for mild adventure action and language. Running time: 1 hour, 36 minutes. In wide release.